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Principal photography started in September 2013 at the Cité du Cinéma, a new megastudio located on the outskirts of Paris. [21] On 5 September 2013, scenes were shot at the cliffs of Étretat in northern France. [22] Filming in Taipei, Taiwan, began on 21 October 2013 and lasted for eleven days. [23] [24] One of the locations filmed at was Taipei 101, one of the world's tallest skyscrapers. [25] [26] Select footage was filmed with IMAX cameras. [27] Charly, a 1968 film based on the 1959 short story and novel Flowers for Algernon, about a man whose IQ gets tripled.

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A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation. By contrast, John DeFore of The Hollywood Reporter stated that "plenty of films and novels have envisioned what would happen if we gained conscious control over our entire brain," but that "it's hard to recall one whose ideas were more laughable than this one." He stated that the audience may "roll with the film" as Lucy does things beyond human capability, but that the film does not justify "Lucy's increasingly godlike abilities, which soon include time travel and levitation. Every now and then, a nugget of real philosophy is dropped into the screenplay, but it's surrounded by so much blather that even a generous viewer has trouble using it to justify what Lucy experiences." [72] Writing for LA Weekly, Scarlett Johansson's 'Under the Skin' announces UK release date– Movies News". Digital Spy. 15 November 2013 . Retrieved 14 April 2014. Armitage, Hugh (December 7, 2011). "Angelina Jolie in talks for Luc Besson dramatic thriller". Digital Spy . Retrieved August 22, 2014.Scarlett Johansson Gets Under The Skin at 2013 Venice Film Festival (PHOTOS)". HuffPost. 3 September 2013 . Retrieved 14 December 2022. Collin, Robbie (August 12, 2014). "Lucy, review: 'everything Scarlett Johansson does is worth watching' ". The Daily Telegraph. Archived from the original on January 12, 2022 . Retrieved August 14, 2014. a b c d e Chang, Justin (July 23, 2014). "Film Review: 'Lucy' ". Variety . Retrieved July 23, 2014. Heber-Percy, Colin (22 July 2020). "The Flesh is Weak. Empathy and Becoming Human in Jonathan Glazer's "Under the Skin" ". Aesthetic Investigations. 3 (2): 360–1. doi: 10.5281/zenodo.4415711.

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The film is thought to be inspired by the Scottish folklore of Baobhan sith, female vampire-like creatures who prowl during the night preying on men. [16] Production [ edit ] Pre-production [ edit ] Carson, Tom (July 25, 2014). "Lucy Gives Scarlett Johansson a Role She Can Kill: Genetic Freak". GQ . Retrieved July 26, 2014. a b "Under the Skin, Venice Film Festival, review". The Daily Telegraph. London. 9 April 2013. Archived from the original on 6 September 2013 . Retrieved 4 September 2013.QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork. FRENCH Posters a b c d e Thompson, Anne (23 October 2014). "Why Jonathan Glazer's 'Under the Skin' Took a Decade to Make (VIDEOS)". IndieWire . Retrieved 3 November 2016. Coonan, Clifford (August 20, 2014). "Luc Besson Says 'Lucy' Sequel Unlikely". hollywoodreporter.com. The Hollywood Reporter . Retrieved August 23, 2014.

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Heber-Percy, Colin (22 July 2020). "The Flesh is Weak. Empathy and Becoming Human in Jonathan Glazer's "Under the Skin" ". Aesthetic Investigations. 3 (2): 347–364. doi: 10.5281/zenodo.4415711. Xan Brooks of The Guardian gave Under the Skin five out of five and called it "far and away the best picture" to play at the Venice Film Festival. [52] Peter Bradshaw, also of The Guardian, described the film as "visually stunning and deeply disturbing" and also awarded it five out of five. [53] Robbie Collin of The Telegraph wrote: "If my legs hadn't been so wobbly and my mouth so dry, I would have climbed up on my seat and cheered." [54] Matt Zoller Seitz of RogerEbert.com gave the film four out of four, describing it as "hideously beautiful ... its life force is overwhelming." [55] Richard Roeper of Chicago Sun-Times gave the film four out of four, stating: "This is what we talk about when we talk about film as art." [56] Christy Lemire also gave the film four out of four, calling it an "undeniably haunting, singular experience" and naming it one of the best films of 2014. [57] Andrew Lowry of Total Film, Dave Calhoun of Time Out London, Kate Muir of The Times, and Robbie Collin of The Daily Telegraph all gave the film five out of five. [58] [59] [60] [54] x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad. BRITISH Posters

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Lucy has the most visual effects in a film directed by Besson, [20] with over 1,000 effects shots under senior visual effects supervisor Nicholas Brooks. [9] Giardina, Carolyn (July 30, 2014). " 'Lucy:' How VFX House ILM 'Surpriseud' Luc Besson With the Visuals". The Hollywood Reporter . Retrieved September 4, 2014. a b c "Lucy: Week 1 of a global success story". Unifrance. August 8, 2014 . Retrieved August 23, 2014. A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.